Beauty — Portfolio

Beauty isn't about looking smoothed-over. It's about pairing light and skin tone, framing the image sharply, and deciding — each time — what stays when retouching. That's where the character lives.

Beauty portrait of a young woman, gently smiling, long brown hair — Smiling — I

Another beauty portrait of the same young woman, black studio backdrop — Smiling — II

Another beauty portrait of the same young woman, black studio backdrop — Smiling — III

Black-and-white beauty portrait of a young woman with her hair caught by the wind, an overcast sky behind — In the wind

Beauty studio portrait of a young woman — Beauty studio — I

Beauty studio portrait of a young woman — Beauty studio — II

Sepia beauty portrait of a young woman with long wavy hair, soft studio look — In sepia

Sepia studio portrait of a young man resting his arms on the back of a chair — On the chair

Editorial beauty: portrait of the young man overlaid with painted music notes, hearts and graphic brushstrokes — Editorial — pop

Beauty portrait of the young man, studio — Young man — I

Black-and-white beauty portrait of a young man with light hair, white tank top, leaning against a wall — Against the wall

Beauty portrait of the young man, studio — Young man — II

Beauty portrait of the young man, studio — Young man — III

Beauty portrait of the young man, studio — Young man — IV

Beauty portrait of the young man, studio — Young man — V

Beauty portrait of a girl with long red curls, blue studio backdrop, blue dress — Red curls

Another beauty portrait of the girl with red curls, blue backdrop — Red curls — II

Another beauty portrait of the girl with red curls, blue backdrop — Red curls — III

Another beauty portrait of the girl with red curls, blue backdrop — Red curls — IV

Editorial beauty: young woman in a lilac ball gown beside a dark horse's head, soft light — With the horse

Another shot from the editorial session with the horse — Editorial — I

Another shot from the editorial session with the horse — Editorial — II

Another shot from the editorial session with the horse — Editorial — III

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